first 500 in super chique green vinyl ! after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

the first release from a new techno label based in rotterdam. the artist behind the label, matt tdk comes from a free party background and you can hear that in this his first journey onto vinyl. matt takes his inspiration from the german and english techno scenes, and moulds them into a relentless fury of beats and screaming synths creating total mayhem, making this an ideal dj tool for the harder techno djs amongst us. tonal research strives to fill the gap between more energy driven loopy techno and the production values of wonky techno to achieve maximum dancefloor pleasure

peaktime rockin proggy electro house by roy stroebel and mike rubin aka ravers nature !!!

entered buzz charts this week, huge hit expected for this end of a year. after making a name for himself as the hottest young producer on the block (bloc party, maximo park, the rapture to name a few) paul epworth finally releases his own much anticipated solo material as phones. for those familiar with his floor slaying remixes under this alias for artists as varied as new order, goldfrapp, roxy music and black strobe, sharpen the knives and worryin hit the dancefloor hard. sharpen the knives is an agitated, visceral monster that climbs to a breakdown, leaving you begging for mercy, but with a huge grin on your face. >worryin< is a slower affair, still dark and digital and ever so slightly menacing. both tracks are a taste of great things to come from this prolific talent, leading into an album some time in 2007

justin martin is currently recording his debut album for buzzin fly and here is a taster >the fugitive<, a sick underground groove skewered with grunts, grinds and sub bass that finally launches into a gorgeous spring-loaded nu-techno ride. on the flip, more of the same, dastardly.

nice floating electronic fly with a look into sounds of jm jarre , klaus schulze , tangerine dream etc

infectious bassline and sinister robotic voice,in a body fuses house and electro into a rolling techno stormer.

the makers of the capital of quality techouse that is constantly changing, expanding, relocating and restructuring itself, are entering futuristic territories, recalling some of the finest moments of the present before setting off into the future...

nice price deal !!! long awaited self titled, full length album from land shark a.k.a. lance desardi on coco machete will shake up any preconceived notions held by fans of all dance, rock, electro and alternative sounds. the land shark project is an edgy departure from lances previous projects as an underground house music mainstay. still deeply rooted in dance rhythms land shark takes derailing hard left turns into the sonic realms of industrial, punk and electro. definitely for fans of dance rock crossover acts such as blackstrobe, soulwax, the rapture and dfa. an album that sounds like an album not a compilation of lumped together twelve inches

this huge release is a must for fans of their we are & syndikaat releases! zahn and eidolon manage to crush the minimal trend into a ball and throw it back at the masses

raise your voice features the vocal talent of one juan wells. the production skill set of jaimy is outstanding. it has a kick drumthat isnt stale, a growling bassline and some percussion in the high end that shows some real emotion. tcks remix brings amazingelements to the table! the song really breathes life into itself when it comes out of the break

on the second release from its remix imprint vr, berlins vakant label comes with the goods, turning out what might be its most far-out release to date - and at the same time, its most punishingly effective. going head to head, glasgows alex smoke and paris man tolga fidan tackle each others tracks, twisting up knotty rhythms and gauzy electro-acoustic sounds into a battered syntax that expresses one thing, move !!

jupiter black show their love for giorgio moroder. a rocking track with live percusion and of course the trade mark moroder bass lines by this new project from dusseldorf (john jupiter & michael black). comes with two remixes by elitechnique! they dropped a great remix with a balearic feeling! the dub version of their mix is also lovely. a nice smooth new york disco-ish version that slowly builds and changes into a funking disco monster. this works like crazy!

it was only a matter of time before matt bandy and alexander east joined forces. between the two of them they have graced such labels as vista, aroma, freerange, nrk, doubledown and amenti. the original bumpa along with alexanders vocals leading the way over dirty, distorted funk bass and warm chords. the remixes take you into deep dub land with tuff beats, chopped vocals and tracky madness. alexanders mix takes a left turn towards a psychedelic soul vibe tailor made for the afterhours

it has been over four years since koops last album waltz for koop was released. today the record is still considered their breakthrough record because it sold over 160.000 units worldwide. the critics and fans were raving about the band and even the legendary director woody allen fell for the stockholm based duo and featured their hit single waltz for koop in his film match point. on their new album called koop islands they take us back in time on a enchanting journey into the era of swing orchestras and jazz crooners spiced with some exotic mento, calypso and chanson elements.the first 12 features three nice reworks done by some of swedens finest producers in club sound. markus enochsons transforms i see a different you into one of his trademark deep house tunes while hird puts the vibraphone scented ballad koop island blues into a completly new context by creating a slow rolling dub mix. tiger stripes picks up the pop appeal of the album and delivers a sunny house version of lets elope a perfect radio tune!watch out for a second 12“ coming up on compost records with more fresh remixes by beanfield, alif tree and the innocent sorcerers

after his much applauded tribute to manuel göttsching, norwegian martial arts grand wizzard blackbelt anderson returns with another deadly sample of his secret technique: the main cut >alfaz de pi< molds the ancient styles of cowbell driven space disco and ruff acid into a powerfull weapon for dancefloor action. >sandoz< overwhelms in a more gentle way with its sweeping balearic chords and the melancholic melodie while the prins thomas edited >snake eyes< hands out some hard capoeira style slaps. surely one of the most crushing releases on full pupp so far.

the third release on true to form recordings comes from parisian producer mikael weill. here mikael starts off with the title track >silmarions<, which glitches and grooves with a warm kick, plenty of inviting keys and stabs programmed into mix

christian martin joins the production ranks of dirtybird along-side his well established brother, justin martin. on the a-side, >stoopit< conjures up images of princess jasmine stripping f or lil jon in a lush arabian tent. on the b-side, >venus fly trap< tackles more serious issues, f ollowing the f inal journey of a simple house fly. these two tracks hav e a rare f lav or that will cross ov er into dj sets of all kinds. the martin brothers have taken elements from latin krunk and techno swing to make something fresh and wild

crash/ almost crasch, is an acid-flavoured minimal groover for fans of minus and loco dice however in a very own style.the sg-remix and the original are stripped-down but raw pieces full of sparkling sounds based on a straight beat that makes this track a perfect tool and a peaktime - anthem at the same time! the dadableep portion adds a little bit of german flavour and takes the track more into the tech-house-corner... straight but funky.

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

nice price deal !!! played by heiko mso, scratch massive, toni rios, diringer, sweetlight….. margeir, a.k.a. jack schidt, produces his music under jack s name, together with his friend phil harmonic. though you may not yet know jack schidt - that may soon change. jack schidt s music appears on gusgus s record label pineapple records, for whom margeir djs as well. jack schidt prides himself with the fact that he was the first dj in the world to stage dive into the crowd. any other stage-diving djs interested in following mr. schidt into the record books are encouraged to contact the pineapple records legal department. check the fantastic remix comes from holmar flipsson who is 1/2 of thugfucker, 1/3 of mr negative and 1/1 of holmar filipsson

hypnotic and deep, but always funky, stuart li takes the listener on a journey back into time to early days as well as providing us some classical techno groove. instead of just utilising tools to create sounds, he is a good deal more telling us little, well selected stories.with his elaborate and sophisticated arrangements, his melodic loops and the seductive, pushing bassline, he delivers three different, sometimes minimal, but always melodic new pieces on this second vinyl on versatile records

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

the track is produced as a cooperation between lickin artists homeaffaiirs and sunloverz. a great remix package is available to complete the original versions sunloverz on the guitars take this track into a very up to date version which toes the line between progressive and house, raul rincon does a groovy job giving the track a new (but well known) melody hook and patric la funk adds a catchy piano with a subtle vox placement

hot chip with this new 12 for the astralwerks imprint. over and over combines clapping beats and a soulful indie styled vocal with gritty guitars and a deep bassline for a grinding punk funk outing. on the flip, the masters of the current punk funk scene, dfa, rework just like we (breakdown) into a smooth, almost italo disco outing, with soaring synth lines and a muted kick the key ingredients alongside lilting guitar and the original vocal

the beginerz drop a very dark, electro mover for those gritty 4am moments in the form of no way a swift move away from there well rounded, pumpping funky house sound but still very good and will appeal to all you house djs outhere. bounce however is a classic beginerz tune that will be straight into your sets

unique blend of widescreen electronica and fragile folk into darker territories. remixes come from emporer machine who delivers an electro version with house influences. deaf stereo supply the other mix

joey beltram with a classic freak out techno 5 tracker

first remix features rick preston and dtc doing a deep house rework. the infectious groove is set off with crisp percussion, bubbly washes, electric guitar riff and chopped up vocaleffected into heady subliminal hooks. sunny guitar sols, warm chord progressions and timely effects round out the cut. trademarqs approach on their mix is a bit left of cente as they twist and mangle the original. they stretch and deform a few key parts into a truly unique cut. a cutting edge sound with shuffling and jacking beats leading into some massive sub bass and a haunting sustained synth line.chopped up vocals and dubbed out playful piano complete the sound

house music heavy hitters kerri chandler and monique bingham team up to create a gorgeously deep and sexy as all hell stunner. already no1 promo on traxsource.com, the worlds leading soulful house music download site, this soon to be classic has already been tested in the uk, france & japan with incredible response. the song starts out with a dj friendly deep 4/4 beat then gently caresses the listener with a profound bassline, climaxing into clever call and response between mr.chandlers spoken words ala barry white and the sensuous ms. bingham. if you havent found love on the dance floor just wait til this drops and go on the prowl. this is one sexy muthfunkin number

garagist salvatores recommendations for motoguzzis third and last release of the first 12 series. >my life for a moog< go down into your cellar. take your clothes off . blindfold yourself with a oil soaked cloth and then follow the hispanic snapper matador. he is the conductor who will guide you over the slippery floor. give him your eardrum. move your hips. feel loved.

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

ibadan s hit-10 series with another winner: tiger stripes remix the massive sydenham production >stockholm go bang< into an epic, string-ladden style..

>einladung ep< features three varied pieces: >get the strings?< builds with loose, stuttering, metallic percussion playing over a locked bass/organ pulse before opening out into a beautifully detailed mix of chords, high strings and clipped vocal parts. >keep it< is a minimal percussion-based track of clicky kick drums and shuffling out-of-time hi-hats. >rhodes island< rides on a warm, repetitive chord sequence that refers back to the classic basic channel / chain reaction template

the lucky guy ep is galaktika records seventh publication, despite it being labelled as its fourth. testifies to the entry trough the big door of rafael garnica, a young venezuelan settled in barcelona, into the market of european and international electronica. the lucky guy ep, oriented towards minimal techno with a melodic outlook, is an ambitious and careful production that can be enjoyed on the dancefloor as well as the sofa !! incl amazing remix by jaumetic

getting drunk to make music to get drunk to.coming from the twisted mind of spandex and his maniacal cohort dytch is this latest plate, a 12 somehow destined to be a huge pop hit if we do say so ourselves. beginning with the future playground anthem cocks and fannies we re instantly catapulted into the surreal world of pleated lemon

nice deep grooving 3 tracker a1 goes the prog way while the master drum mix goes really into the deep flip for the more funked up original mix

junior hacksaw, known for his slightly left of centre breaks, hands in a killah a side which crosses several genres all at once, with ragga vibes, glitchy edits, phat beats and heavy bass, it does exactly what it says on the tin! two names fast becoming big playas on the glitch scene, datapusher & modulus offer up another tasty treat on the flip, twisting its way into oblivion and pathing the way for many others to join them

the synkope ep ushers in a new sound for mathias, one that is more full and less percussive than before yet also one that will not leave previous fans in the dark. taking his cue from his keen knowledge of the worlds dance floors, kaden translates this awareness straight on to vinyl without losing sight of todays complex sequences and sound structures. with the flood of faceless releases that threaten to sink even the most discerning record buyer theses days. there is a growing sense of urgency to make records that will remain classic and listenable even 10 years into the future. if you dont mind us saying we think this might just be one

after his release on silver network mr. jackson steps into the more electrified fields of house on jef k s crack and speed imprint. a dirty, rancid straight in your face production - not for the faint hearted, but works like a banana when you re hungry. a side is a sureshot reminding on suburban knight s art of stalking

while everyone else was enjoying the summer of the century ( and probably the world cup ) the botox boys hurled themselves in the studio and indulged into a cosmic electronic >kraut< session. on the hard stomping >lada rock< cosmo vitelli lays down a stoic one note bassline and grants tekels julien briffaz some time to get freaky with hard metallic, stumbling beats behind his drumkit before skanking guitar chords preludes several minutes of countless dramatic organ and synth erruptions. after this wild freak-out your body gets a rest, its now the mind that gets messed with, the slow moving >drive by shooting< with its neverending, grinding, menacing cascades of hot-lava like synth tides sounds like a dark balearic tune on bad acid

with his >auftrieb ep< on karmarouge alex roland delivers an easy-going debut release that is straight and right down to the last detail but nevertheless oblique produced. he places value on deep pumping basslines, delighted grooves and well flavoured atmospheric and active-minded sound scapes to present us his definition of deliciously balanced minimal techno tunes. a lovely piece of music that touches the heart, shakes the rump and carries gleams of love and haven into people s heart and onto the club s dance floors...

joel muells newest outing which fits perfectly into the profile of the renowned frankfurt imprint harthouse consits of two diametrical deep tech tracks that stand out of the crownd. the heavier and darker a-side delivers the power to set off into a long night full of surprises, while the flips spaced out deep tech grooves should get the crowd into a higher state of consciousness with its tricky arrangements..

after the success of the first klap klap release >easy walker<, samuel here continues with another really solid record !!! the a-side comes with a rich atmpspheric tune to space away, it steadily grows and tweaks into a abstract hymn. on the b-side we find >inside< which, in its original version, was supposed to be released on new soil recently !!

archipel label boss jean-patrice remillard is happy to bring you his debut 12inch, >lignes et directions.< this strong, heady and electrifying release is pheek at the top of his game, constantly pushing the psychedelic envelope to new heights. beginning with >orage solaire< a strong acidic presence is felt with shatter fragments of pineal crystals ready to shock you into a state of suspended post-apocalyptic atmosphere

remixed by the mighty zdar from the mighty mighty cassius! feel it feel it is tacteel s most violent track ever, and zdar s remix puts the iron fist into a velvet glove. he dials up a new sonic weather, with fresh guitar clouds and a new bass wind. all the elements are weighted with utmost care then layered onto the live bassline like it s nothing. but it s a lot. he makes it sound ibizaeasy, feet-in-the-water-easy, wind-in-the-palm-trees-easy. when house is that fluid it feels like dancing among friends, special secret steps only your friends really understand. a big one from the institube

señor villalobos is back again on playhouse so roll out the red carpet for his >fizheuer zieheuer< monster which is no longer than 37 minutes!!! of course we had to divide it into 2 parts to bring it on the vinyl, but it still is a wicked tune. its around for a while now and a special secret weapon in ricardo s sets all over the world, causing mayhem wherever he plays it! 100% pure hypnosis, this track plays with certain sounds that you would not really expect from this minimal master in the first place... but it s the way he s using these east european horns which is done so well and their integration in the beats that makes the track so exciting

deep, tribal, warm acid house, an inf ectuos summer groov e, on the f lip loco dice returns to the label with a special >chunk the funk< remix, smooth deep jazzy house remix. beautif ul deep tribal & hy pnotising that builds and grows into a deep acid head banger ... on the f lip locodice returns to the label he begun his career with of f ering us a lazy disco esque remix, inf used with touches of jazz, sunset, lounging or in the early hours of the morning, this will work

ya bitch, holds tough beats straight from the start before heading into a jumpin breaks groover with smart lyrics and smooth basslines. groove diggaz present dirty dawn on the flip which is quite literally the muttz nutz